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Saturday, February 18, 2012

Make Jazz Succeed at Your Venue

To many venue owners around the Dothan area, jazz can be a four letter word. It's completely understandable. There's a desire to be more culturally diverse and bring in different things. The reality, however, is booking it won't guarantee a crowd. Particularly in an area so void of the art form that most people don't really even know what it is. In the event that you actually get people to show up and the night is a success, the venue owner wants to replicate that. Again, understandable.  So how do you get people to come? What about getting them back? 

First off, the show needs to be clearly promoted. People need to know what they are being asked to attend. To people who don't listen to jazz, the word itself is ambiguous. When one person thinks of jazz, they may think of Sade or Spyro Gyra (smooth jazz) while another may think Coltrane or Davis (BeBop, Hard Bop). Even people who are hardcore jazz fans won't know what kind of entertainment you are planning. So, it's necessary to include samples of the band's music, a picture (the way the band looks can be a clue to their sound), and, at the very least, a shot list of artists they sound like. If they are all acoustic, say it. Any way you can let the potential audience know what to expect the better. Remember, it's not like rock or country in which the genre is mostly self describing. Be specific.

Secondly, if you are not a "jazz venue" DON'T OVER DO IT. If you had a band come in and your joint was packed, don't book them three more times that month. Let it rest. If you have another jazz band/artist to book then spread it out. If you only have one to book, don't bring them in more than once a month but every-other would be better.
     **Artists, don't accept bookings at the same place that are too close together. You will suffer in the not-so-long run.**

Third and finally, PROMOTE it right. Don't run a radio ad for a jazz band on a classic rock radio station. That's just dumb. The people looking for live jazz are not going to be glued to that station. Your regulars will hear about it from being at your establishment or from talking to other regulars. Know your target. Facebook adds are cheap and very targetable. Flyers are cheap and still very effective (at the right places) and including a QR code linked to your website will make it even better.

Remember, people aren't going to come out and spend their hard earned money if they don't know about it. Don't rely on word of mouth. Smart advertising is the prerequisite for word of mouth and is the best way to create a buzz for something new. Make it easy to remember and easy to come to (dress codes not recommended). Jazz is people's music; It's life music. It's not dinner at the White House.

5 comments:

  1. Can you expand on the idea of not booking a jazz group more than monthly in a small market? Is it about profitability for the venue and the band?

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  2. When a venue starts to introduce jazz (or any style of music) to it's patrons, it automatically runs the risk of losing customers for that night. When you have a small market where the genre doesn't have a strong hold, the majority of the people will have a low threshold for intolerance. So, you'll have several that will show up and dig it. Then you have some that will dig the vibe but not the group. Some won't be sure at all. Along with those, you have several that won't go because they don't like the genre and some that won't go because they know they don't like the band.

    Shaking things up too much too fast can leave a bad taste in the mouths of patrons. It's like starting a child on solid foods… You just gotta work it in.

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  3. What do you think about finding a venue that needs a draw on a certain night and doing a weekly gig (or jam session) to build an audience?

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  4. I think that's great but I think using the exact same musicians every week might (over a one or two month span) work against it. People will lose the feeling that they NEED to go see the band. It will be more like "well, they will be there next week so we can go then..." They will have the luxury of putting it off. There can definitely be a core that stays constant but there needs to be something that changes so people feel like them not attending will cause them to miss out on something.

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  5. It sounds like you see a jazz event succeeding in a small market more like a concert series where maybe a different kind of jazz sound happens each week. Am I right? Do you not feel that a group like The Lo-fi Loungers couldn't have a weekly gig that builds a fan base and is successful like a local rock or country house band?

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